Sandstorm Dungeon Of Death Review
Sandstorm
Dungeon Of Death
Dying Victims Productions
2026
So, any Metalhead worth his salt knows there are bands that occasionally release albums with some of the worst artwork imaginable. Most of the time it almost feels intentional, to the point where it becomes part of the charm. I’m one of those people who’ll buy or check out an album just for the laugh because, often, the music ends up being far better than the cover suggests. Sometimes the band didn’t have the budget, sometimes they simply didn’t care, and occasionally that rough-around-the-edges aesthetic ends up becoming part of the appeal.
That brings us to a release that fits that mold perfectly. Swedish/Canadian trio Sandstorm are gearing up to unleash their latest EP, “Dungeon of Death”, and yes, the artwork is undeniably cheesy. But as always, it’s the music that matters, and thankfully there’s a lot more substance here than the cover might initially suggest.
I’ll admit upfront that I’d never heard of Sandstorm before now, but after spending some time with this EP it’s obvious where their heart lies. The band lives and breathes the earliest era of Heavy Metal, pulling heavily from the DNA of NWOBHM and classic Hard Rock. I say Hard Rock because “Dungeon of Death” really isn’t a heavy record by modern standards. There’s no obsession with crushing aggression or dialing everything to eleven. Instead, it feels like a trip back to the late ‘70s, when songwriting was driven by memorable riffs, strong arrangements, and atmosphere rather than sheer force.
There’s an authenticity to what Sandstorm does that keeps this from feeling like simple nostalgia worship. The riffs have that loose, natural swing to them, the leads carry a vintage flair, and the clean vocals fit perfectly within the old-school framework. You can hear a band chasing the spirit of the era rather than trying to recreate it note for note. In a way, this feels like the missing link between hard-driving ‘70s Rock and the emerging Metal scene that would eventually give rise to bands like Manowar and Riot.
Across its lean 23-minute runtime, “Dungeon of Death” doesn’t waste a second. There are no moments where the band loses focus or drifts off course. Sandstorm stays locked in from beginning to end, delivering a collection of songs that feel cohesive and purposeful. The EP understands exactly what it wants to be and never overcomplicates itself trying to prove anything.
DVP will be handling the vinyl and CD release while Jawbreaker Records takes care of the cassette version, and honestly, it feels appropriate that this gets a release across all three formats. There’s something about this kind of music that simply belongs on physical media. If you’re into that old-school Metal spirit - something rooted in classic songwriting and vintage energy rather than modern heaviness — then “Dungeon of Death” is definitely worth checking out.
Standouts – “Dungeon Of Death”, “Death After Life”, and “Storm The Gate”.










